#1 —WHEN IT’S ON
—APRON, SEX, SQUASH
#2 —WHEN IT’S ON
—CARBON, DIALUP, SONG
#3 —WHEN IT’S ON
—SO LONG NIGHTINGALE, EATING FOODS
#1 —WHEN IT’S OFF
—DRINK BEER
#2 —WHEN IT’S OFF
—DRINK WHISKEY
#3 —WHEN IT’S OFF
—TENDERLY LICK PUSSY
THREE YELLOW LIGHTS THOUGH,
NOT NUMBERED NOW,
WHAT DO THEY SIGNIFY?
THE DIFFERENCES BETWEEN THEM
YOU CAN TELL THEM APART:
CENTER, AND
ONE ON EACH SIDE
LEFT AND RIGHT.
BRIGHTNESS DIFFERENTIALS
ALL YELLOW
IN DIFFERENT VOLUMES
OF AMOUNTS OF LIGHT THAT’S EMANATED,
DIFFERENCES IN HOW MUCH ENERGY IS PROJECTED.
ONE YELLOW LIGHT IS VERY BRIGHT.
IT VARIES FROM BEING ALMOST BLINDING,
SO BRIGHT THAT WHEN IT IS BRIGHTEST
IT CASTS SHADOWS ON EVERYTHING AROUND IT,
ITS LIGHT EVEN BRIGHTENS
THE CASINGS OF THE OTHER TWO GLOWING BODIES.
AS BRIGHT AS A SUSTAINED FLASH
FROM A CAMERA WOULD BE,
BUT IN A BEAUTIFUL
YELLOW—YELLOW
ORANGE—YELLOW!
PULSING AND SHINING YELLOW LIGHT,
IT STAYS VERY BRIGHT MOSTLY.
A WAVE FORM
BETWEEN TWO EXTREMES OF WEAKNESS AND STRENGTH
BUT THE WAVE FORM IS CHAOTIC,
COMPLEX,
ITS EXTREME POINTS
MIGHT AT SOME POINT BE EXCEEDED.
WITH A HIGHLY ACCURATE MATHEMATICAL MODEL
AND A VERY FAST COMPUTER RUNNING IT,
PROBABILITY FOR WAVE POSITION
IN BRIGHTNESS TO WEAKNESS CAN BE ASCERTAINED TO
APPROXIMATELY 97% DESCRIPTIVE
(FOR THE NEAR FUTURE—HOURS)
BUT BEYOND 15 HOURS,
THE ACCURACY OF THE PROBABILISTIC MEASUREMENT
BEGINS TO DECREASE.
THERE IS ONLY 5% ESTIMATIBILITY
ABILITY AT 5 DAYS.
MEANWHILE,
ONE OF THE LIGHTS IS VERY DIM.
AND IT STAYS VERY DIM—
AT A STABLE AMOUNT OF DIMNESS
FOR A VERY LONG TIME,
IT GIVES OFF SOMEWHERE IN THE NEIGHBORHOOD OF
6 X 103 PHOTON SECONDS PER HOUR.
JUST A STEADY ENERGY OUTPUT
THAT OSCILLATES
SMALL AND STABLE PEAKS AND VALLEYS
THAT IS BARELY CHANGING
FOR 108 YEARS (HYPOTHETICALLY)
(THE PATTERN THAT IS)
BECAUSE ONCE IT’S ESTABLISHED IT JUST
GOES——
OF COURSE IT’S PLUGGED INTO A WALL SOCKET,
120 VOLTS
AND THROUGH AN ARRAY OF TRANSFORMERS AND GATES
CAREFULLY PROGRAMMED
AND TAKING ADVANTAGE OF
NATURAL ELECTRICAL HARMONICS—
IT HAS BEEN FINELY TUNED INTO THIS SUGARY,
LOVELY, SOAPY, CANDELESCENT OUTPUT RHYTHMIE.
ALL STEADINESS AND STABILITY
GLOW——GLOW——
YET OF COURSE
ALTHOUGH THE PATTERN ITSELF
COULD CONTINUE UNCHANGED FOR APPROX. 108 YEARS,
IT WON’T ACTUALLY ACHIEVE A LENGTH OF TIME
GREATER THAN THE DURATION OF THE SHOW.
OR IF REINSTALLED, WILL LAST HOWEVER LONG THAT SHOW WILL LAST.
ITS LIMITS ALSO HAVE TO DO WITH THE
CONTINUATION OF STANDARD 120 VOLT ENERGY SOCKETS
INTO THE FUTURE, ETC.
ALSO EARTHQUAKES, FLOODS, ABUSE, ETC.
THAT COULD DAMAGE THE DELICATE ARRANGEMENT OF TRANSFORMERS
(ALL THE WIRES ARE EXPOSED)
ALSO—
THE BULB IS NOT A BULB.
IT IS A PIEZOELECTRIC PLATE-SANDWICH
WITH AN ARGON BUBBLE
AND A BUNDLE OF HYDROGEN ATOMS
AND AN ALUMINUM OXIDE SKIN THAT GLOWS.
THE STEADY PHOTON FLOW
COMES OUT ALL SIDES OF THE PLATE SANDWICH
VERY EVENLY—
IT EMANATE A YELLOW LIGHT
THAT TUNED FURTHER TO THE DESIRED YELLOW THROUGH
SPECIAL MINI-MINERALS YELLOW GLASS
AND BECAUSE OF WHICH RELATIONSHIP
OF YELLOW GLOW
OCCURRING NATURALLY
FROM A NARROW BANDWIDTH VIBRATION OF
THE ALUMINUM OXIDE /
HYDROGEN-MOLECULE-ARRANGEMENT.
CALL THIS “ARRANGEMENT A.”
THIS YELLOW, WHEN SHONE THROUGH
THE YELLOW GLASS
IS VERY CLOSE IN SPECTRAL COLOUR
TO THAT WHICH SHINES SO MUCH MORE BRIGHTLY
FROM THE FIRST YELLOW LIGHT DISCUSSED
CALL THIS “LIGHT #1”
AND THE DIMMER LIGHT, “LIGHT #2”
SO, THE COLOURS ARE VERY CLOSE
BUT NOT THE SAME.
BECAUSE THE SOURCES OF EACH LIGHT
ARE PRODUCED BY DIFFERENT PHYSICAL MEANS.
VERY DIFFERENT.
ONE IS SUCH AND SUCH CHEMISTRIES
AND METALLURGICAL PROPERTIES,
THE OTHER IS SUCH AND SUCH.
ONE, (#2) FEATURES AN ARRAY OF STEADY WAVEFORM PROPERTIES
WHOSE PITCH OF VARIATION IS LIKE
THE CHORD C#.
BUT A SMALL AND APPROXIMATE CHORD C#,
LIKE A CHORD ALMOST LIKE A C# MAJOR.
BUT WITH SOME OTHER NOTES THROWN IN.
(ALSO PLAYED WITH A LIMITED RANGE ON THE PIANO)
—USING THE UPPER THIRD OF 4 QUADRANTS ON THE KEYBOARD.
BUT USING NOT JUST PIANO,
BUT ALSO VIOLIN, OBOE, AND CLARINET.
PLUS SOME OTHER INSTRUMENTS.
ITS SIGNATURE PATTERN,
DIFFERENT FROM THE APPROXIMATE
METAPHORICAL C# MAJOR
PLAYED BY LIGHT #1
WHICH IS LIKE
A HIGHLY LOUD—
RAPIDLY WAVERING PITCH.
A BIG, LOUD, FULL C# MAJOR DRONE
PLAYED BY MANY INSTRUMENTS,
SOME DROPPING OFF
AND OTHERS BEING ADDED
AS THE WAVEFORM MOVES THROUGH ITS
CYCLIC PROGRESSION—
THE OTHER LIGHT,
THE THIRD,
MAKES ITS LIGHT VIA A CHEMICAL REACTION—
A BURN—
IT DOES NOT USE ELECTRICITY.
IT MUST INTERMITTENTLY BE FED MORE MATERIAL TO BURN.
THE COLOR OF THE LIGHT IS A
PLEASING AND SYNCHRONOUS YELLOW
MOSTLY BECAUSE OF THE GLASS CASE.
IT IS ALSO EQUIPPED WITH A CHIMNEY AND A FEEDING HOLE.
—GUM WRAPPER
—MAGNESIUM
—RED SULFUR
—WOOD CHIP
—BURNT FOOD
—FOLIC JUICE
—DRIED ORANGE JUICE
—OLD STRIPS OF DRIED MEAT
—LACES
—TURPENTINE
—GASOLINE
—ALCOHOL
—CHUNKS OF FROZEN HYDROGEN
ICED
HIGH PRESSURE
FLAMMABLE FUELS MIXED
EXPLOSIVITY
TORCH-LIT
CANDLE-LIT
SMOKY UPDRAFT
CHANNEL OF FIRE,
BURNED TO A CRISP
(SOOT, SMUDGE, WAX)
LIKE A CANDY BAR SHAPE
COMPRESSED
ETHYL HYDROXYL
DOG-WAX
HOOF-RESIN
AROMATIC PCBs
ON FIRE
THROUGH ALTERNATE
SLITS IN
BULB-HOLE-SHAFT-SHUTTLE-CONVECTION
A SLOT-FIRE W/ A GOLDEN-CHUTE DOWN IN
LIKE A CHIMNEY
AND DOWN INTO THE FIERY CAVITY—
THAT’S CAUSED WITHIN THE YELLOW HOLE
BUT—
3 LIGHTS
3 BULBS
ALL THE SAME
OR SIMILAR NOT SAME
IN WHAT WAYS CAN THESE PROVIDE MODELS?
IN WHAT WAYS CAN SUCH A STRUCTURE BE SIMILAR
APROPOS—
TO EVENTS IN OUR LIVES?
THE VIEWER’S LIVES?
APROPOS AND VIS-À-VIS
HOW MUCH THERE IS SEX AND OTHER FUN
(DRINKING) (CUNNILINGUS) (BLOWJOBS) (CONVERSATIONS)
WHERE IS THE CONNECTION?
BULB RELATIONSHIPS
TO
PEOPLE RELATIONSHIPS
AUTHOR FEELS THAT THERE COULD BE ONE(S) DISCOVERED
IF THIS EXPERIMENT COULD BE CARRIED OUT
AS YET UNSEEN AND UNKNOWN RELATIONSHIPS.
NEW LANGUAGE DIMENSIONS ,
INSIGHTS INTO PROPORTION AND RATIO,
AND DISCOVERY OF PROTO-EROTIC PRESENCES.
UR-MESSAGES.
FUTURE TAKEAWAYS.